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Seminar 2007 |
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LOUGHBOROUGH University10th - 12th August 2007
"WHAT A HIT" |
For our 20th anniversary we pulled out all the stops for the 2007 International seminar. All the feedback we have received so far would indicate that it was the best ever Seminar and we have to thank the presenters, our executive committee, and other willing helpers for all their hard work. CLICK HERE FOR AN EXCELLENT SET OF PICTURES OF THE INSTANT GALLERY PUT TOGETHER BY SHIRLEY SINCLAIR
SEE THE VIDEO CLIPS TAKEN AND EDITED BY BRIAN PARTRIDGE ON "YOUTUBE" CLIP 1 CLIP 2
Click Here to see the Shop for details of the Seminar 2007 CD
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Click Here to see what happened at the 2005 Seminar |
| The 2007 seminar presenters | |
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Yasuhiro Satake, Japan Yasuhiro
is a woodturner with a truly international reputation, and is much sought
after to demonstrate at events worldwide, and by agreeing to demonstrate
his craft at the AWGB seminar he offers our members a rare and exciting
opportunity. Yasuhiro works in the traditional Japanese method of turning and finishing, and much of his style and technique, and even the lathe he uses, will be new to UK turners. Yasuhiro has previously been the subject of a two-part biographical article, written by Bill Tingey, in the UK publication, Woodturning (issues 150-151), and members may wish to review this article for further insight into what might be expected of Yasuhiro's demonstration. This visit has been supported by a grant from the The Great Britain Sasakawa Foundation; and the Association is grateful to them for making this visit possible. |
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Bonnie
Klein, USA Bonnie has been involved with
woodturning since the early 1980's.
In 1986 she designed the small Klein Lathe which has now been in
production for twenty years. In
1992 she introduced the Threading Jig as an accessory to the lathe for
cutting threads in wood. She
is particularly well known for her signature spinning top boxes, decorated
with chatterwork. For several years Bonnie has been experimenting with
turning acrylic. Bonnie has produced five turning videos which have now
been converted to DVD's and in 2005 wrote a woodturning project book.
She has demonstrated and taught workshops in many countries as well
as all over the USA. In
2003 she was awarded honorary lifetime membership of the AAW in
recognition of her contributions to woodturning. |
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Clay
Foster, USA Clay was born in 1954 in Austin, Texas
and currently lives near Krum in the same state, with his wife Penny.
Clay has been involved in woodworking for 43 years.
He is a founder member and past vice-president of the AAW.
As a well respected artist/woodturner his work is included in many
collections around the world. He
is well known for his method of creating multiple axis hollow vessels and
for his technique for producing two piece hollow vessels.
He also uses a number of different methods to produce unusual
surface decorations. |
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Michael
Hosaluk, Canada Michael was born in 1954, (the same year
as Clay, the sap must have risen particularly well that year), in Invernay,
Saskatchewan, and is an entirely self-taught woodturner.
His work covers a wide range of objects and materials including
functional vessels, furniture and sculptural pieces. His work is humorous and elegant, possesses character
and gesture and is full of reference to architecture, nature and culture.
Michael's work has been exhibited throughout Canada, in Europe,
China, Japan, Australia and the United States, there is even a piece in
the permanent collection in Buckingham Palace. Michael is particularly looking forward
to re-acquainting himself with "the warm beer". |
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Petter
Herud, Norway Petter
is a professional turner who lives in the countryside outside of Oslo,
Norway. He is a
versatile turner, creating gallery quality work in many styles from
vessels and goblets to hollow forms and carved spirals.
In some of his work Petter mixes a variety of wood with
silver metal. His
specialty is off-centre turning and hand thread chasing as illustrated by
his signature boxes with multi-faceted exterior surfaces. Petter
has travelled the world as a demonstrator, leaving behind almost 400
inspired students. |
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Jean-Francois
Escoulen Jean-Francois was born in 1956 on a heap
of wood shavings, and learned woodturning from his father who is a master
craftsman "Meilleur Ouvrier de France".
At the age of 16 he obtained his first degree in woodturning.
In 1979 he set up his business with his cabinet maker wife,
Monique, near Puy Saint Martin where he now lives and works.
In 1987 he was one of the first craftsmen to open his workshop to
teach woodturning to amateurs.
He has taught, helped and inspired many professional woodturners. On the creative side, he has developed a
technique and a specific chuck for turning off-centre.
His work is a constant exploration of how to defy the laws of
balance on the theme "balance in imbalance".
During the last few years he has started associating traditional
woodcarving to his turning in new forms of fantastic animal shapes. |
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Stuart
Mortimer Stuart was born in 1942 and educated in
Aberdeenshire in Scotland; he spent his "working life" in the
police force and now lives in Hampshire.
He has been turning since 1968 and is self-taught; he has won many
awards for his work and has built up an international reputation. He is highly regarded by his peers and collectors
alike, he writes, teaches and demonstrates throughout the world.
He is particularly
well known for his signature spiral work, which is hand crafted on and off
the lathe using hand held power tools as well as traditional carving
tools. He started the
spiral work in the early 1980's to decorate a wide range of work.
He is also the holder of the world record for the largest bowl ever
turned. Stuart uses
other decorating techniques to enhance his work,including burning, carving, ebonising
and piercing. He is now
adding silver and gold to his work, the twisted finials, beads and other
forms of embellishment are being hand cut from solid metal. |
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Robin
Wood Robin specialises in turning bowls on a
traditional pole lathe and researching the history of the craft of
turning. His replicas
of historic bowls are used by many museums, from the Tower of London and
Hampton Court Palace to the Globe Theatre and the Mary Rose Trust.
His book "The Wooden Bowl" is the standard work on the
early history of woodturning based on extensive research and with a host
of photographs of early bowls from archaeological sites.
Robin rediscovered the lost techniques of pole lathe bowlturning
and particularly those of turning nests of bowls using curved hook tools
which he forges himself. He
has been turning bowls for a living for more than ten years and derives
most of his income from production work rather than teaching or
demonstrating. Whilst
he has supplied many high profile museums most of his bowls and plates are
sold for people to use. Thanks
to designer wife Nicola he has sold bowls successfully from his
informative website since 1998. |
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Jules
Tattersall Jules was born in
Knutsford, Cheshire, in 1955, educated at Holyhead County Secondary School
and then at North Staffordshire Polytechnic, where he studied Social
Geography. Whilst at college,
Jules gained his pilots licence, funded by seasonal work as a barman on
the Irish Sea ferries. After
leaving college in 1978 he travelled widely, pursuing many varied
occupations, including trawling and time as a boatyard foreman in
Australia. He began
woodturning in 1984 whilst living in Australia, and was influenced by the
quality and style of work produced by contemporary Australian turners. In 1987 he returned to the UK and the Island of
Anglesey, North Wales where he now lives and works. Jules strives
to produce work of which the form, texture and overall balance may be at
once both stimulating yet soothing. He enjoys simple shapes and, where
appropriate, uses natural features and various techniques to give each
piece its visual and tactile character.
Jules is particularly well known for his work with reclaimed
timbers, such as Oak railway sleepers and Australian Jarrah fence posts. Over the
past years he has produced work for many galleries and private clients in
the UK, Europe and the USA. He
has exhibited widely and had his work featured in a number of
publications. More recently however, he is enjoying the challenge of
creating gift ranges for a much broader market and says that he feels
comfortable producing work that is generally more accessible. He feels that an emphasis on good form and
pleasing tactile quality will endow even the simplest piece with a
timeless appeal. |
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Simon Hope Simon was
introduced to woodturning at school at the age of eleven, a time at which
the prospect of earning a living from woodturning twenty years later
seemed a long way away. At
the age of 26 Simon was accepted onto the Register of Professional
Turners, one of the youngest at that time.
Five years
on Simon now enjoys a variety of different aspects of woodturning amongst
which are teaching, demonstrating, making and repairing Great Highland
bagpipes and artistic and commercial turning.
Simon is currently working with pewter casting to enhance his
wooden turnings and is developing a range of platters rimmed in
contrasting timbers. |
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Les Thorne Les is 38
years of age and is married to Liz and has two sons aged 13 and 11.
He has seven years experience of demonstrating various products at
all the national woodworking shows.
He was accepted onto the Register of Professional Turners in 2001.
Today the majority of his income comes from production turning, but
what he enjoys most is teaching, seeing the same students over a period of
time and watching their gradual progress and improvement he finds to be
extremely satisfying. When
demonstrating he likes to emphasise good tool technique in particular, he
says "Once this is mastered you can achieve the standard of work that
you are happy with, the process should be as enjoyable as the finished
result." |
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